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> SHAKESPEARE IS STUPID
P.P.A.
post Aug 23 2011, 06:05 PM
Post #1


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When I started scanning the D.H.E. World Guidance book three days ago I thought I could fill the time during the scans and between putting on the next page wisely by reading Shakespeare's Sonnets, one at a time. Expecting sweet poetry, I instead read what has got to be some of the least romantic and most offensive bit of writing I have ever read. Example, Sonnet № 6:

QUOTE
Then let not winter's raggèd hand deface
In thee thy summer ere thou be distilled.
Make sweet some vial; treasure thou some place
With beauty's treasure ere it be self-killed.
That use is not forbidden usury
Which happies those that pay the willing loan –
That's for thyself to breed another thee,
or ten times happier be it ten for one.
Ten times thyself were happier than thou art,
If ten of thine ten times refigured thee:
Then what could death do if thou shouldst depart,
Leaving thee living in posterity?
 Be not self-willed, for thou art much too fair
 To be death's conquest and make worms thine heir.


This is downright insulting! No matter how relatively beautiful (although even the wording is offensive sometimes) the language, the core messages conveyed—“I see you just a temporal vessel for your beauty.”, “You need to make lots of children with me so your beauty can outline you once you're old, wrinkly, and ugly and eventually die!”, “Your own, personal happiness doesn't really matter to me.”, “Did I mention we need to make kids?!”—are simply awful! The rest of (at least the first couple of) the Sonnets are pretty much the same, all revolving around wanting to have sex, and about condemning her for not making children before time catches up with her.
The only response I could think of to any of these would be a slap in the face and yelling at him for daring to address her informally with “thou”.

Romeo and Juliet was also rather unimpressive when I read it. At least Much Ado About Nothing was very entertaining, at least while Beatrice and Benedick were both still tsundere for each other.
I guess I'll withhold judgement until I've also read Hamlet and A Midsummer Night's Dream, although my first and second impressions could be much better already—I just hope he's not just as bad and overrated as Goethe.

This post has been edited by P.P.A.: Aug 23 2011, 06:05 PM
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Rhiannon
post Oct 29 2014, 11:20 AM
Post #2


I'm really moved by the chicken bone
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From: Minnesotablarg
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I read parts of Romeo and Juliet and couldn't really get into it.

In the beginning of October I was having a mental breakdown and felt like going for a walk and buying The Tempest at some storeforreallyoldcheapcrap was a good idea. I thought it used some very beautiful language in early parts, and I thought Prospero was an asshole for not freeing Ariel right then and there. I also thought Ariel was a girl for a long time. It was sort of nice I guess? But it never was pretty again, and the story was kind of boring. Maybe I missed a bunch of things. Or maybe I just hate plays. Why did I think that was a good idea.

WELL AT LEAST I SORT OF LIKED IT? THE TEMPEST IS MY FAVORITE SHAKESPEARE THING UNTIL I GET AROUND TO ACTUALLY READING HAMLET I GUESS I CAN AT LEAST VOUCH FOR ONE OF THE FILM ADAPTIONS OF THAT BEING GOOD

... but then why would even want to read a play when I do not like plays and know there is a film version that is quality?

EDIT MAN YOU KNOW WHAT IT'S JERK ANYWAY. IF ARIEL'S A BOY THEN ONLY MIRANDA IS A GIRL AS FAR AS PEOPLE WHO MATTER AT ALL TO THE STOY GO. AND MIRANDA'S ONLY THERE TO LOOK VERY PRETTY AND GIVE PROSPERO AN EXCUSE TO YELL AT SOME NICE YOUNG MAN.


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